Nayana LaFond - Artist

Nayana LaFond - ArtistNayana LaFond - ArtistNayana LaFond - Artist

Nayana LaFond - Artist

Nayana LaFond - ArtistNayana LaFond - ArtistNayana LaFond - Artist
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    • Home
    • Paintings
    • Sculpture
    • Portraits in RED
    • Events & News
    • Information & contact

  • Home
  • Paintings
  • Sculpture
  • Portraits in RED
  • Events & News
  • Information & contact

Artifacts for living

"artifact 1" - Picc line tubing and heparin flush in epoxy resin. Through the course of my BMT I had 5 picc lines installed. These are tubes which enter the arm and travel through the artery directly to the heart to deposit medication. The process is painless. The picc line was my daily reminder of what was happening to my body. I would need to flush the line using these materials twice per day regardless of if the line was used that day. The wires were kept long so that I could flush it myself 

    "artifacts for living"

    I began collecting artifacts along my cancer journey in 2011 when I was first diagnosed with a rare form of Leukemia called Chronic Myeloid Leukemia. Typically considered treatable with daily medication I however developed a rare mutation which made me resistant to the available treatments and made a bone marrow stem cell transplant the only remaining option to save my life. 


    In 2014 I underwent the procedure and spent following years to date experiencing complications. The first few years were the most dangerous as I spent the majority of my life in those years in the hospital fighting to live. Infections, subsequent health conditions as a result of the transplant and a lot more brought me to the edge of death over and over again. The further I get away from the transplant date the less visits I make to hospitals and in 2019 I finally reached remission. 


    Remission isn't the end of the medical journey, since then there have been more complications as a result of the chronic rejection (graft vs host disease) and other health conditions I developed as a result of the transplant. 


    Throughout this process I have collected materials, images, audio and more. These materials are now being used as artmaking materials. Artmaking is a way for me to find healing and to claim what has taken place and this is a part of that. The therapeutic process of taking these materials and finding ways to create something out of them. Claiming them for my own purposes and no longer allowing them to be simply objects about pain and disease and instead artifacts from the fight for my life. Artifacts for living. 

    Domestic Abuse sculpture created for "Be The Change" Boston through JArts Boston - Sculpture was on display in the Fenway triangle of Boston

    The creation of a piece about domestic abuse

    Inspiration for the piece

    When I was approached by Be the Change Boston to create a sculpture I was given full creative freedom over theme and execution. it was logical that it should be about domestic abuse. When I was attempting to flee my abusive home, I snuck out one day and went to Safe Passage. Safe Passage is an organization meant to help those experiencing abuse to leave and find safety and resources.  It was after my bone marrow transplant, and I was very weak and immune compromised. I had only recently been able to stop using a wheelchair and was reliant on others for most physical needs beyond walking and I had been able to drive myself to this appointment. At the appointment in a scared shaking voice, I found the courage to share what was happening and ask for help. Unfortunately, I was told that because I was not able to enter a shelter due to my health issues, they would not be able to help me. They told me to "go home and put up with it until you can't anymore and you can call us if you need to vent" This organization which was meant to help only made me feel more helpless and so I did just that. Accept that I never called them to "vent". Instead I worked to become stronger and about a year later fled in the night for fear for my life. This piece is inspired by my experience and a desire to help others. 

    THE PROCESS of creation as therapy

    The process of creating this piece was a therapeutic one for me. Bending rebar with my bare hands using my body to pull and push to create the arches, learning to weld and seeing it come to life. Using tools which seemed scary to me before and feeling empowered by my own ability to wield their strength for my own uses.  Allowing it to evolve as it was made into what it needed to become. This piece became about the process of creating it. The physical act a form of healing showing myself that I am capable, that I am strong both physically and resiliently. After the transplant and the abuse my body had become a foreign object for me, weak and scarred from the traumas. I had spent so long being reliant on others for even the most basic physical tasks that pushing myself to create this work which relied so much on my body was healing for my sense of self. I reclaimed my body and my personal ideals on what I was capable of while creating this piece. 

    The final work

    The finished piece became a dwelling, two entrance points on either side to allow entrance without feeling trapped. Once inside there are two concrete benches across from one another which can comfortably seat 1-2 people each.  These benches are meant as a place for private conversation or solitude. On the inner panels are written words and phrases in over 20 languages. "I believe you", "stop saying you will go next time", "your children deserve to see you happy" and others. Some sourced from my own mind, things I wish I had been told, and others sourced through social media. I made a video of the piece in progress and asked other survivors online what they needed to hear. On the exterior are small ceramic tiles with QR codes for human rights organizations, shelters, lawyers, culturally specific organizations and more. I wanted to help those who were in the same moment I was...on the precipice of change, to feel heard, to feel not alone and hopefully feel inspired to seek help and then to provide resources for that help and more than one so that if one organization cannot assist that another one can.  I felt so helpless when I was told to go home and "put up with it till you can't anymore"... I wanted to provide enough resources so that anyone visiting the piece would be able to find someone to help them and not tell them to go home and put up with it. 

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    Truth - an installation

    in response to the repeal of Roe V Wade

    Materials-soil, metal planting bed, duct tape, tarp, net silk, epoxy resin, paper, sage, red house paint.


    When I was asked to create a piece in response to Roe V Wade being taken from the US I did some research. What I found was disturbing.... the leading cause of death for pregnant women in the United States is murder. What does this say about the results of not allowing women to seek abortions if they need them? For many this is a death sentence.  


    In the epoxy tablet like objects, I encapsulated a letter from the UN to the United States from 2016 (which can still be found on the UN website) imploring the US to not get rid of this medically necessary care for women and giving a strong argument for why. The other houses a study done by Harvard Medical School in 2020 which shows that Murder is the leading cause of death for pregnant women in the US. 


    The planting bed has 20, 40lb bags of topsoil which I laid in to create the body print. Surrounded by sage and then surrounded by the red paint and two large red footprints. This is meant to be a memorial, a grave and a statement about the result of removing women's rights to body autonomy and medical care. 

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